Archive for April, 2019


Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.


Chinese spy network infiltrated foreign affairs, embassies

Monday, March 30, 2009

Canadian think tanks SecDev Group and the Munk Centre for International Studies at the University of Toronto have released findings from a 10 month investigation exposing an internet spy network based mostly in China which has hacked into computers and networks owned by government and private organizations in 103 countries.

Allegations that the Chinese government was infiltrating computers set up by the Tibetan exile community prompted the initial investigation. Following up on the leads, investigators found at least 1,295 computers belonging to a range of governments and private organizations world wide were affected, including the Tibetan exiles’ centres in Brussels, India, London, and New York.

The spy network, dubbed ‘GhostNet’, appears to have focused on Foreign Affairs ministries, embassies, and international organizations including breaking into at least one computer at NATO. 30% of the machines infected were considered high-value targets according to the report published Sunday in Information Warfare Monitor. The report details the malware used in the attacks, pointing out that it provides extensive control of the infected computer to the outside source, even to monitoring microphones or cameras attached to the machine.

Wenqi Gao, spokesman at the Chinese consulate in New York City told the New York Times that allegations of Chinese governmental involvement were “old stories” and “nonsense.”

Another report released on Sunday from Cambridge University alleges the Chinese government or a group working closely with it initiated the attacks on the Tibetan organizations. In that attack, control of an e-mail server was also achieved, giving the attackers access to all messages sent by the Dalai Lama’s supporters.


Japanese cabinet member commits suicide

Monday, May 28, 2007

NHK has reported the death of Toshikatsu Matsuoka (62), the minister of agriculture, forestry and fisheries of Japan and a member of Liberal Democratic Party. According to the police of Tokyo Metropolitan and members of Matsuoku including his secretary he was found hanged in a room of the his apartment in Akasaka, Minato-ku, Tokyo at 0:18 p.m local time, say the Japanese media including Mainichi Shimbun.

Chief Cabinet Secretary Yasuhisa Shiozaki confirmed his death but gave no further comment, Asahi Shimbun reports.

Matsuoka has been in disputes and criticized by the opposition parties since March due to unclear descriptions of annual financial reports of one of his support organizations, which all lawmakers and ministers are legally required to publish. Also in May it was exposed he accepted donation from an organization controlled by Japan Green Resources Agency, which itself is a non-profit organisation settled and which should report directly to the government. Inappropriate financial management of JGRA has been recently revealed and two of it’s high positioned staff were arrested on May 24. Mainichi says after those arrests, some lawmakers in the ruling party LDP claimed Matsuoka should resign from the minister seat.


Author Amy Scobee recounts abuse as Scientology executive

Monday, October 11, 2010

Wikinews interviewed author Amy Scobee about her book Scientology – Abuse at the Top, and asked her about her experiences working as an executive within the organization. Scobee joined the organization at age 14, and worked at Scientology’s international management headquarters for several years before leaving in 2005. She served as a Scientology executive in multiple high-ranking positions, working out of the international headquarters of Scientology known as “Gold Base”, located in Gilman Hot Springs near Hemet, California.


UK company “seriously considering” GPS tracking devices in school uniforms

Saturday, August 25, 2007

The leading supplier of school uniforms in the United Kingdom, Lancashire-based manufacturer Trutex, has announced it is “seriously considering” including GPS tracking devices in future ranges of its uniform products after conducting an online survey of both parents and children.

“As a direct result of the survey, we are now seriously considering incorporating a [tracking] device into future ranges” said Trutex marketing director Clare Rix.

The survey questioned 809 parents and 444 children aged nine to 16. It showed that 44% of parents were worried about the safety of pre-teen children, and 59% wanted tracking devices installed in school apparel. 39% of children aged nine to 12 were prepared to wear clothing with tracking devices in them, while teenagers were notably less enthusiastic and more wary of what Trutex has admitted they see as a “big brother” concept.

However, Trutex has claimed the tracking devices would bring about worthwhile benefits, including being a valuable resource for parents who wanted to keep a close eye on where their children were at all times.

“As well as being a safety net for parents, there could be real benefits for schools who could keep a closer track on the whereabouts of their pupils, potentially reducing truancy levels” says Rix.

Each year, Trutex supplies 1 million blouses, 1.1 million shirts, 250,000 pairs of trousers, 20,000 blazers, 60,000 skirts and 110,000 pieces of knitwear to the UK.

It is not the first company to manufacture school uniforms with a central focus on child safety; last week Essex firm BladeRunner revealed it was selling stab-proof school blazers to parents concerned about violence against their children. The blazers were outfitted with Kevlar, a synthetic fibre used in body armour. It has already received orders internationally, including Australia.

If the Trutex tracking devices go ahead, it is unclear where in the uniform they will be located.


French fishermen blockade Channel ports

Tuesday, April 14, 2009

French fishing vessels have blockaded the English Channel ports of Calais, Bolougne, and Dunkirk.

Not a boat will go in nor out

The protest is an industrial action over tighter fishing quotas imposed by the European Union, with French fishing unions asking for their government to provide financial assistance or take a tougher line. CFTC Fishermans Union spokesman Bruno Dachicourt told Agence France Presse: “There are easily twenty boats blocking the port of Boulogne-sur-Mer in organized ranks. Not a boat will go in nor out.”

The fishermen are protesting the lowering of European Union quotas on fishing, which place a ceiling on the amount of fish that the fishermen of each member country are allowed to catch and sell. The EU has lowered quotas in response to concerns about the sustainability of fisheries, but each drop in quota reduces the amount of work each fishing vessel can do. “The feeble amount of the quota obliges us to close the fishing zones three months after the beginning of the catch”, said Stéphane Pinto, spokesman for the CFDT trade union group representing fishermen in Boulogne.

Ferry sailings between Dover in the United Kingdom and Calais were suspended, with UK authorities implementing the Operation Stack management plan in response. Under the plan sections of the M20 motorway are closed to traffic and used as a managed lorry park. Motorists have been advised to seek alternative routes if possible. Most cars and passengers from the P&O Calais-Dover sailings at 16.10 (apparently the first sailing affected), 17.40 and 18.25 left on the “Pride of Dover” at 11.47 arriving Dover at 12.30. Two SeaFrance ferries, Renoir and another, left slightly earlier.

Fishermen have also used fires and roadblocks to interfere with access to the ports by road.

The blockades come eight days after a similar incident in the Mediterranean, when French fishermen in Marseille, Ajaccio, Toulon and other port cities interfered with oil tanker movements and blockaded ports throughout the south of the country.

Wikinews is unaware of any official statement from the British or French Governments in response to the blockade.


Apple introduces iPhone and Apple TV

Wednesday, January 10, 2007

Apple Inc. today has introduced the much-anticipated iPhone at the Macworld Conference in San Francisco.

The iPhone is claimed to be “a revolutionary mobile phone” as stated on the Apple website. The device appears to be running a mobile version of the Apple operating system Mac OSX. It is approximately the same size as a 5th generation iPod, it has a 3.5-inch LCD touchscreen display that is used to access all features of the phone including number dial, as well as making phone calls. The iPhone plays music, movies, displays pictures and is able to connect to a wireless network.

Apple CEO Steve Jobs unveiled the device by walking onto the stage and taking the iPhone out of his jeans pocket. During his 2 hour speech he stated that “Today Apple is going to reinvent the phone, We are going to make history today”.

Today Apple also released their Media Center device – Apple TV. It will directly compete with Microsoft’s Media Center operating system. Apple has taken a different approach to the media center market; rather than storing content (such as movies, music and photos) on the device, Apple TV connects to a computer (Mac and Windows) over a wirless network connection and plays all content stored on that computer. This makes it substantially easier for users to organize their media content.


Colleges offering admission to displaced New Orleans graduate students

See the discussion page for instructions on adding schools to this list.Tuesday, September 13, 2005

NAICU has created a list of colleges and universities accepting and/or offering assistance to displace faculty members. [1]Wednesday, September 7, 2005

This list is taken from Colleges offering admission to displaced New Orleans students, and is intended to make searching easier for faculty, graduate, and professional students.

In addition to the list below, the Association of American Law Schools has compiled a list of law schools offering assistance to displaced students. [2] As conditions vary by college, interested parties should contact the Office of Admissions at the school in question for specific requirements and up-to-date details.

The Association of American Medical Colleges is coordinating alternatives for medical students and residents displaced by Hurricane Katrina. [3] is acting as a central interactive hub for establishing research support in times of emergency. With so many scientists affected by Hurricane Katrina, ResCross is currently focused on providing information to identify sources of emergency support as quickly as possible. [4]

With so many scientists affected by Hurricane Katrina, ResCross is currently focused on providing information to identify sources of emergency support as quickly as possible.

Physics undergraduates, grad students, faculty and high school teachers can be matched up with housing and jobs at universities, schools and industry. [5] From the American Association of Physics Teachers, the Society of Physics Students, the American Institute of Physics and the American Physical Society.

If you are seeking or providing assistance, please use this site to find information on research support, available lab space/supplies, resources, guidelines and most importantly to communicate with fellow researchers.

The following is a partial list, sorted by location.

Alabama |Alaska |Arizona |Arkansas |California |Colorado |Connecticut |Delaware |District of Columbia |Florida |Georgia |Hawaii |Idaho |Illinois |Indiana |Iowa |Kansas |Kentucky |Louisiana |Maine |Maryland |Massachusetts |Michigan |Minnesota |Mississippi |Missouri |Montana |Nebraska |Nevada |New Hampshire |New Jersey |New Mexico |New York |North Carolina |North Dakota |Ohio |Oklahoma |Oregon |Pennsylvania |Rhode Island |South Carolina |South Dakota |Tennessee |Texas |Utah |Vermont |Virginia |Washington |West Virginia |Wisconsin |Wyoming |Canada


Thousands evacuated after chemical truck overturns in Pennsylvania

Saturday, March 21, 2009

A tractor-trailer carrying 32,000 pounds of hydrofluoric acid overturned on a northeastern Pennsylvania highway early Saturday morning, prompting the evacuation of about 5,000 people. The truck, registered to the Honeywell company, flipped over at about 2:40 a.m. after the driver swerved to avoid a deer.

The pressurized acid began to leak after the vehicle flipped over onto its side on Route 33 in Plainfield Township, but Northampton County authorities said Saturday the nobody was injured and the leak was contained by noon.

Residents were evacuated as Hazmat officials were brought in to clean up the site. Inhalation of hydrofluoric acid can be fatal, and low doses can irritate the eyes, nose and respiratory tract.

But Northampton County Administration Director John Conklin said the leak was slow-moving, and not enough of the chemical leaked to create a toxic cloud.

“This will be over real quick,” Conklin told CNN International.

Hundreds of evacuees were taken to the Pen Argyl Area High School in nearby Pen Argyl, but Conklin anticipated they would be able to return to their homes by the end of the day.

Hydrogen fluoride is a hazardous and highly corrosive chemical compound used mostly for industrial purposes. It is also an ingredient in high-octane gasoline, refrigerants and light bulbs.

The driver of the truck, Raymond Leblanc, 54, of Harrow, Ontario, was treated at Pocono Medical Center in East Stroudsburg for minor injuries and released Saturday. A passenger, Joseph Dault, 51, of Ontario, was not hurt.


USA sledge hockey team beats Italy in Winter Paralympics opener

Saturday, March 8, 2014

With the home-crowd Russian fans on the side of the Italians, the United States defeated Italy in sledge hockey by a score of 5–1 today in both teams’ opening game at the 2014 Winter Paralympics in Sochi, Russia.

The United States started the first period with possession, but much of this was on their own third of the ice. Both teams did a full line change within the first minute of play following an Italian penalty by Bruno Balossetti that resulted in a United States power player. While the USA got possession on the penalty, it was after a few seconds where who had possession was questionable. The puck then changed possession several times. Both goalies had to work in the opening minutes of the game. With 12:20 left in the first, Italy had a fast break down the ice. In defending his goal, the Team USA goalie fell over and there was a mob in front of the goal trying to move the puck. The USA managed to prevent the Italians from scoring. Following this, there was a line change and a similar pile up in front of the Team USA net at 12:13. After a penalty that saw Andy Yohe get 2 minutes for roughing, the United States got possession.

Both sides had their fans in arena, with several large Italian flags behind their team’s bench. There were a pair of United States flags. When the Italians had the puck and looked likely to score, the multitude of Russian flags were waved and the fans cheered in support of the team. The United States allowed Italy to get possession after two players crashed into each other and had to untangle their sledges. At 10:20 left, Italy managed to get a shot on goal, which the USA goalie stopped. With 10:09, both teams were to full strength. There was another pile up, this time in front of the Italian net, at 9:12 left. The United States had problems passing during much of this time, and with keeping the puck out of their third. A United States fan was screaming at the team at one point shouting, “Get it out.” Italy had several good chances but they were not able to capitalize on them. At 2:30 left, the United States and Italy were about equal with shots on goal: 4 for USA, 5 for Italy. At 2:30 left in the first, Valerio Corvino of Italy got 2 minutes in the penalty box for roughing. With 1:15, good passes by Nikko Landeros and Taylor Chance lead to a goal by Declan Farmer on a power player opportunity. Immediately following the goal, Italian Werner Winkler got a 2 minute penalty for roughing. The pace of the game slowed down in the final minutes, and there were fewer hits. The occasional United States fan chanted “USA, USA, USA.” The first period ended 1–0 in favour of the United States.

The second period started with lots of Italian cheering from the stands, while the Americans possessed the puck on the Italian third of the ice. Both teams were shorthanded, each with a player in the penalty box. The penalties were over and both teams were at full strength by 14:10 left in the second. Early in the period, Italy got a two minute penalty for too many players on the ice. The United States also addressed possession problems they had in the first period and kept the puck in front of the Italian goal. Team USA still had problems with executing passes though. Whenever the Italians got possession of the puck and looked like they might have a remote chance of scoring, the Russian fans started cheering loudly. With 3:48 left in the second, Brody Roybal scored with an assist from Declan Farmer. With 1:18 left in the second, Guiseppe Condello got a 2 minute penalty for teeing when he rammed the front of his sledge into a USA player’s sledge. The period ended 2–0 in favour of the the United States.

During the intermission, a Paralympic presenter went into the audience to talk to Team USA fans in the stands for the screens found on display in the arena. Following a little patter, she asked the fans to do the Team USA chant, which they did. In response to the requested, “USA! USA! USA!” chant, a number of people inside the arena booed.

The third period started with Team USA possession. Early in the period, Taylor Chase had a 2 minute penalty for teeing, and both teams were shorthanded with 14:38 left in the third. Italy was back at full strength by 14:17. Despite the teeing penalty, the number of collisions appeared down from earlier in the game. Both teams were at full strength with 12:33 left in the third period. With 11:56 left in the third, Joshua Sweeney got the puck, moved it down the ice and then slid it past the Italian goalkeeper to score an unassisted goal. Midway through the third period, and most of the puck possession took place on the Italian third of the ice. With 4:42 left in the third, with assists from Joshua Pauls and Nikko Landeros, Brody Roybal scored on the Italians to little applause from people in the arena. The score was 4–0. Following the goal, Team USA took a timeout and made a goalkeeper change, with Steve Cash out and Jen Lee in. With 3:26 left in the third, Team USA player Paul Schaus earned a 2 minute penalty for roughing. The Team USA goalie made a fantastic above-the-head glove save with 3:05 left in the third. With 1:26 left in the game, Italian Florian Planker scored off an assist from Gianluca Cavaliere. The stadium erupted into loud chanting, and lots of waving of Russian flags. Adam Page was injured with 1:08 left in the game, and left the ice to a round of applause from the fans. The United States’s Paul Schaus scored off an assist from Nikko Landeros with just under 5 seconds left in the game, bringing the final score to 5–1.

The United States comes into Sochi as previous Paralympic gold medalists, having won it at all at the 2010 Winter Paralympics in Vancouver, Canada. Steve Cash started for Team USA. He did not let in a single goal during the 2010 Winter Paralympics.

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Team USA takes the ice for the start of the game Image: Laura Hale.

An Italian player handles the puck behind his own net Image: Laura Hale.

Team USA faces off with Italy after a penalty Image: Laura Hale.
Fans of Team USA in the stands Image: Laura Hale.
Team USA tried to retain the puck while against the boards Image: Laura Hale.
Both teams battle it out for the puck Image: Laura Hale.
The Italian goalkeeper stops the puck from a Team USA shot Image: Laura Hale.
Adam Page is injured and on the ice Image: Laura Hale.
The Italian goalkeeper Image: Laura Hale.
Both teams shake hands at the conclusion of the game Image: Laura Hale.